In the previous post, I suggested that it would be nice if our cultural elites ever produced something uplifting about the contemporary state of race relations. But we know they won’t. They’re too invested in their worldview of systemic oppression. So, I’ve turned to AI to explore the theme I raised about the great Reverse Migration, in which young, educated African Americans are migrating from Northern cities to the South in search of greater economic opportunity.

First the theatrical poster (courtesy of Bing image Creator):

Then the theme song (courtesy of Suno):

And then the play itself (in 1,000 words) from Chat GBT.

Title: “A New Horizon”

Act 1: The Struggle

Scene 1: The Streets of the North

The stage is dimly lit, portraying a rundown neighborhood in a Northern city. Broken streetlights, graffiti-covered walls, and distant sirens set the atmosphere. JAMES, a young African-American man in his late twenties, stands under a flickering streetlamp, nervously glancing around. Enter MARCUS, his friend, dressed in similar streetwear.

James: (anxiously) Marcus, this isn’t the life I wanted. Every day is a struggle just to survive. I can’t keep doing this.

Marcus: (sighs) I hear you, man. But what choice do we have? The streets are all we know. We’ve tried, but there’s no way out.

James: There’s gotta be something better. I’ve been hearing about opportunities in the South. Jobs, safer communities, a fresh start.

Marcus: (skeptical) The South? You serious? We’ve heard those stories before. It’s not that simple, James.

James: (determined) It’s worth a shot. I’m tired of looking over my shoulder every day. Tired of the corruption, the violence. I need to believe there’s something better out there.

Marcus: (pauses, considering) You really think we could make it down there?

James: (nodding) I do. We need to take a leap of faith. For our future, man.

They stand in silence, contemplating the decision. The lights dim as the scene ends.

Act 2: The Journey South

Scene 1: The Road to a New Life

The stage brightens to reveal a bus station. A small group of African-Americans, including JAMES and MARCUS, wait anxiously with their bags. There’s a mix of hope and uncertainty in the air.

James: (looking around) This is it, Marcus. Our chance to start over.

Marcus: (nervously) I hope you’re right. I’ve never been this far from home.

James: (smiling) Think of it as an adventure. We’re chasing a dream.

An ANNOUNCER’s voice echoes through the station.

Announcer: (voiceover) Bus to Richmond, Virginia, now boarding.

Marcus: (deep breath) Here we go.

They board the bus, joining others on their journey. The lights fade to symbolize the passage of time.

Act 3: The Arrival

Scene 1: A New Beginning in Richmond

The stage lights up to reveal a bustling street in Richmond. New buildings, clean streets, and a vibrant community set the scene. JAMES and MARCUS step off the bus, taking in their new surroundings with awe and hope.

James: (excitedly) Look at this place, Marcus! It’s like a whole different world.

Marcus: (smiling) It’s beautiful. I can’t believe we’re really here.

They start walking, exploring their new environment. Enter SARAH, a community organizer, handing out flyers.

Sarah: (approaching) Welcome to Richmond! Looking for work or housing? We have plenty of opportunities here.

James: (taking a flyer) Yes, we just arrived. We’re hoping to find jobs and a place to stay.

Sarah: (smiling) You’ve come to the right place. Our community is growing, and we’re always looking for new talent. What kind of work are you interested in?

Marcus: (enthusiastically) Anything, really. We just want to build a better life.

Sarah: (nodding) We can help with that. Follow me, and I’ll show you around.

They follow SARAH, hope and excitement growing with each step. The lights dim as they leave the stage.

Act 4: The New Opportunities

Scene 1: The First Job

The stage lights up to reveal a construction site. Workers are busy building new homes and businesses. JAMES and MARCUS, now dressed in work gear, are being shown the ropes by MR. WILLIAMS, the foreman.

Mr. Williams: (pointing) We’ve got plenty of work to do, and we need all the help we can get. You boys ready to get started?

James: (eagerly) Absolutely, sir. We’re ready to work hard.

Mr. Williams: (smiling) That’s what I like to hear. Let’s get to it.

JAMES and MARCUS begin working, their determination evident. The sound of hammers and machinery fills the air, symbolizing their hard work and the promise of a new future.

Act 5: Building a Community

Scene 1: A Community Gathering

The stage is set for a community gathering in a park. Families, children, and friends gather for a picnic. There’s laughter, music, and a sense of unity. JAMES and MARCUS sit with SARAH, enjoying the festivities.

Sarah: (raising a glass) To new beginnings and brighter futures!

James: (clinking glasses) Cheers to that. This place feels like home now.

Marcus: (smiling) We made the right choice, James. I’m glad we took the leap.

Sarah: (nodding) You’re part of our family now. Together, we’re building something amazing.

The lights dim slightly as JAMES stands up, looking out at the gathering.

James: (addressing the crowd) We came here looking for a better life, and we found it. This community welcomed us with open arms, gave us opportunities we never thought possible. Let’s keep building, together, for a brighter future.

The crowd cheers, raising their glasses in a toast. The lights slowly fade, leaving a sense of hope and unity as the final scene ends.

Act 6: The Future

Scene 1: Looking Ahead

The stage lights up one last time to reveal a bustling street in Richmond, now more developed and thriving. JAMES and MARCUS, dressed in professional attire, stand in front of a new community center they helped build.

James: (smiling) Look at what we’ve accomplished, Marcus. This is just the beginning.

Marcus: (nodding) We’ve come a long way. And there’s so much more to do.

James: (determined) We’ll keep pushing forward, for us, for our families, for this community.

They shake hands, looking out at the bustling street, their future bright and filled with promise. The lights fade to black as the curtain falls.

OK, this isn’t ready for Broadway. It’s not even ready for off-Broadway. OK, OK, it’s not even ready for community theater. But the poster, song, and play took me about a half hour to produce — and I’m still figuring out the tools.

Could AI help overthrow the cultural hegemony of the left? In our brave new world, anything’s possible!