
by Patricia N. Saffran and Ann McLean
American museums used to have art exhibitions that dignified the human spirit. By contrast, todayโs museums promote the wonton destruction and desecration of great works of art, mainly targeting the South, as in the Monumentsย Exhibition at the Museum of Contemporary Art and the Brick in Los Angeles. Currently, museum policies are more in keeping withย Joseph Goebbels, who said, “We shall reach our goal, when we have the power to laugh as we destroy, as we smash, whatever was sacred to us as tradition, as education, and as human affection.”
The museums’ new role is to cover up whatย the public wantsย as well. On October 24, 2025, theย Valentine Museum in Richmond was supposed to release the results of their survey about Richmondโs Confederate statues, done jointly with theย Black History Museumย (BHM). The monuments are either sitting next to a sewer near the James River, Richmond, or they were sent secretly, without the approval of the public, to L.A.โs Monuments Exhibition, where theyโre on display unrestored with paint splashes to help ridicule the South.
(Charlottesvilleโsย Beaux Artsย monuments fared worse with Lee melted down by theย Jefferson School African Heritage Center, and Keckโs masterpiece ofย Thomas โStonewallโ Jackson, bought by L.A. and subsequently destroyed by Kara Walker to make into a new monster sculpture,ย Unmanned Drone, for LAโs show. She ignored that Jackson taught black children to read and write.)
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