Bacon's Rebellion

James A. Bacon



 

Yessss!

Florida Hurricane

 

Richard Florida, the boldest thinker in economic development today, blew through Richmond last week. The Holy City may never be the same.


Pittsburgh, the tired old titan of America’s industrial age, shed 150,000 jobs in the 1980s. Determined to reinvent the economy, city leaders set about building the institutions of the emerging high-tech era. They established a technology council, business incubators and venture funds. They supported tech-transfer initiatives to commercialize the research coming out of Carnegie Mellon University and the University of Pittsburgh. And they created the Ben Franklin Partnership to link emerging technology companies with capital, management and R&D resources.

 

Carnegie Mellon has one of the top three software-computer science schools in the nation. According to Richard Florida, a Carnegie Mellon professor of economic development who spoke recently in Richmond, the thinking went like this: “If we could incubate high-tech companies from the university, supply them capital and provide them all the other support they needed, we could create new growth companies.”

 

In sum, the civic leaders of Pittsburgh put into place – 10 to 15 years ago -- the programs that Virginians today see as essential to their own economic success.

 

Pittsburgh's economic-development theory was state of the art. There was just one problem. It didn’t work. Carnegie Mellon grads, says Florida, have launched countless companies -- Sun Microsystems, Red Hat and Lycos, to name just a few. But they’re all located somewhere else. “You’ll see Carnegie Mellon alumni everywhere – except in Pittsburgh.”

 

While researching his path-breaking book, “The Rise of the Creative Class,” Florida discovered a simple truth. A generation ago, people moved to where the jobs were. Today, jobs move to where the people are. Pittsburgh, a conservative city dominated by old-economy blue bloods, simply was not enticing to Carnegie Mellon graduates. Alumni moved to more exciting regions, from Boston to the Silicon Valley. Capital and job creation followed them.

 

The implications for economic development are momentous. In the old model, economic developers induce companies with financial incentives to invest bricks and mortar in their region. In the new model, regions prosper by making themselves attractive to members of the so-called “creative class” – the artists, educators, intellectuals, techies, professionals and high-level managers who fuel cultural, technological and entrepreneurial creativity. For advanced economies, creativity is the only sustainable source of competitive advantage in a global economy and the only sustainable source of prosperity.

 

Florida drove home this message to the Greater Richmond Chamber of Commerce and, again, at the Virginia Commonwealth University engineering school. His audience included top political, civic and educational leaders of the Richmond area. Gov. Mark R. Warner tore himself away from General Assembly business to attend, as did Secretary of Commerce and Trade Michael Schewel. Florida gave a mesmerizing performance, and his message resonated with many in the audience.

 

Richmond has received its wake-up call. The rest of Virginia should pay heed as well. The Pittsburgh prof’s critique of reigning economic-development orthodoxy applies to every community in Virginia, including even the tech corridors of Northern Virginia. Sure, says Florida, Virginia should encourage companies to relocate here. By all means, Virginia needs to build the infrastructure of the Knowledge Economy, from broadband to universities. But regions also need to start thinking how to develop, retain and attract members of the creative class.

 

Florida tendered few prescriptions for Richmond, much less Virginia’s other cities or its hard-pressed rural areas, and he left no illusions that the job would be easy. Members of the creative class gravitate to cities which practice openness, tolerance and diversity. As a practical matter, that means cities which embrace gays, immigrants, eccentrics, geeks, freaks and weirdos. It is not a vision of society that Virginia, with its strong strain of fundamentalist politics, would readily adopt. It is difficult to imagine Jerry Falwell or Pat Robertson swallowing the idea that making Lynchburg and Virginia Beach hospitable to gays and bohemians would, in the long run, create a more creative and dynamic economy.

 

But transforming a region into a creative center is not impossible, even in the Bible Belt, as demonstrated by Atlanta, Austin and the Research Triangle. Richmond and Virginia, as Florida observed from his brief stay here, have many of the assets that creative people are looking for. The Old Dominion is widely perceived as a state of great beauty, he says. Its universities are highly regarded. And Richmond possesses a wealth of historic architecture and highly livable urban areas.

 

There is no formula for building a hip, cool, creative-class city, but Florida does offer some general advice. First, don’t make mistakes. Stop sending off signals that reinforce negative stereotypes of, say, a city that is still fighting the Civil War. Likewise, don’t squander precious capital on assets, such as athletic stadiums and convention centers, which have little appeal to members of the creative class. Second, invest in the amenities and build the institutions that make the city more attractive to creative people.

 

Cities typically measure their cultural vitality by the size of their SOBs, Florida quips. SOB is his short-hand for the Symphony, Opera and Ballet, the triad of high culture. Those artistic institutions appealed to an older generation, but Baby Boomers and later generations aren’t happy sitting and watching passively. They like street life. They want to boogie. The artistic vitality of a community may be better gauged by the number of nightclubs, bars and music festivals. Instead of pouring money into the traditional cultural institutions, Florida suggests, set up “creativity funds” to invest in local artists.

 

Similarly, many communities hunger for major league ball teams as a confirmation that they have made the big leagues themselves. But creative-class Baby Boomers would rather participate in sports than sit in the stands as spectators. Aspiring creative centers, says Florida, might be better advised to invest in dirt-bike trails, roller-blading paths and rock-climbing walls.

 

Increasingly, Florida suggests, the character of a region will be shaped by the universities in its midst. His latest research has led him to conclude that universities may play a deeper role in a region’s development than commonly acknowledged. Universities have always been recognized as a source of stable employment, as opposed to corporations which come and go, and everyone values them as generators of new technology. But they play other crucial roles. Colleges and universities develop and recruit talent. Often, they are marked by greater ethnic diversity than the community around them. And their culture breeds openness and tolerance. Says Florida: “Universities are open to very strange people.”

 

Universities and communities thrive when they act as players in a creative ecosystem. Florida urges communities to tear down the visible and invisible barriers that separate town from gown. He pointed to the Savanna College of Art & Design as an exemplar: Rather than building large, institutional-

looking buildings as it expanded, the College retrofitted existing buildings – old stores, lofts and warehouses. The result is a college that appears to be physically integrated into the community, not separate from it.

 

Whatever path Richmond follows, Florida cautioned, it shouldn’t be decided by a top-down process. The rich white guys who run things don’t have a clue what young people are looking for. One good place to start is talking to college students. Some of their ideas may be idealistic and naïve, but they know one thing better than anyone else: They know what they want out of life. They know what it would take to make them stay in Richmond.

 

Talk to immigrants. Find out what it would take to encourage more immigrants to move to the region. Talk to minorities. Southern regions like Atlanta and Research Triangle lead the country in attracting educated African Americans. Could Richmond replicate their success? “Open up the dialogue,” says Florida. “Expand the stakeholder set.”

 

Finally, Florida advises, Richmond should market itself not merely as a place to do business but as a place to live. Austin, though once dominated by good-old-boy Texans in cowboy hats, has done a great job of promoting itself as a home of the eccentric and weird. “Anybody, no matter how bizarre, can find a place there,” he says. In a similar vein, Pittsburgh now is trying to re-brand itself around one of its native sons, artist Andy Warhol.

 

Most of Florida’s suggestions touch upon topics, quite frankly, that Richmonders have never thought about before. There are no blueprints for transforming a region into a center of creativity. Richmond certainly doesn’t want to become like Boston or San Francisco and probably couldn’t even if it tried. Richmond has to figure out its future on its own.

 

The time to launch the dialogue is now. It could take years to fashion a vision that fits comfortably with Richmond’s unique heritage and conservative values of its inhabitants. Other regions are confronting the same challenges and groping for their own solutions. Some, like Toronto, are actively reinventing themselves with Florida's guidance.

 

Creativity is the main competitive advantage of U.S. cities, but it's a fragile one. If Richmond focuses on the wrong goals, it will easily be bypassed as a center of creativity. The path it chooses will affect its competitiveness well into the 21st century.

-- February 3, 2003

 

Bring Home the Bacon

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Florida Follow Up

 

Richard Florida's theories are great in the abstract, but someone has to apply them to real-world situations. Until such time as someone brings him back as a consultant, Bacon's Rebellion is committed to exploring the implications of the "creative class" economic development model here in Virginia.

 

Fred Williamson and Joanna Hanks, authors of our "Everything is On the Table" column, are taking the first crack with a column this week on education -- the cornerstone of any creativity strategy.

 

Rethinking Education: If Richmond, or any other region, wants to build a "creative class," one place to start is with the K-12 schools.